Last week, I was one of a sea of Australians who rose to bethink Gough Whitlam. Fitting its subject, the Whitlam canonizing was sweeping. It was as abundant a admirable adventure of Australia’s change aback the war as it was a account of the activity and fable of a towering, bombastic ex-prime minister. This was a academic political rite clashing any in active memory.
Thirty-six years earlier, Robert Menzies’ accompaniment burial had featured a Scots’ Church service, led by three “Very Reverends”, with readings from Prince Charles and abundant hymns. Whitlam’s accompaniment canonizing was captivated at Sydney Boondocks Hall, featured a announcer MC, an Academy Award winner, two Indigenous elders and all-embracing music from Verdi, Berlioz and the Dylanesque Paul Kelly and Kev Carmody.
Menzies’ had the bombinate of bagpipers, hearkening to the highlands of Scotland. Whitlam’s had the bombinate of a didgeridoo, hearkening to Australia’s built-in heart. Anniversary man, of course, had been built-in to advantage in Victoria.
At the Whitlam memorial, a ample army was sandwiched amid Boondocks Anteroom and St Andrew’s Cathedral. Fixed on that attribute of modernity, a collapsed mega-screen, the army played “yay or boo” afore the canonizing to the accession of above and confined politicians. Cheering was the adjustment of the day, with booing aloof for the two contempo Liberal prime ministers, John Howard and Tony Abbott.
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