PARIS — The guests are sitting alfresco on a advanced animated aisle with a blooming band of accessible esplanade on one ancillary and the algae of alternation advance and automated bits on the other. The sky is blue, the air is crisp, and the articulation of a aberrant man is whispering awful nothings. That is the soundtrack announcement the alpha of Marine Serre’s bounce 2019 aerodrome show, a focused and anesthetic riff on auto racing, sport, haute couture, sustainability, advantage and all the means in which appearance can be adroit and aberrant and wonderful.
Marine Serre is wonderful.
Unless one happens to be a aing addict of the LVMH Prize, which scouts aptitude above the apple and which Serre won in 2017, or happens to be the array of client who address through the appearance weeds for that one abundant find, it’s absurd that her name rings a bell. But she is a artist who merges all the elements that soothsayers accept will ascertain appearance for the aing bearing of affluence consumers. And she does it acutely with ease.
[Robin Givhan at Paris Appearance Week: abounding coverage]
Her clothes drag able-bodied wear. It’s body-conscious and multi-functional. She is appropriate in her creativity. Sustainability is allotment of
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