Most would not admiration what “Seven Nation Army” by the White Stripes would complete like as a best New Orleans chant or what “Mr. Brightside” by The Killers would complete like in 1940s Rat Pack style, but Scott Bradlee’s Postmodern Jukebox, abbreviated as PMJ, is all about putting a applesauce circuit on avant-garde songs like these and abounding more.
With over 1 billion angle on YouTube, PMJ has developed from actuality filmed in Bradlee’s accommodation in Astoria, New York to a all-around abnormality affairs out shows and topping the iTunes applesauce charts, all after the abutment of a above characterization or accumulated sponsorship. PMJ’s aggressive new anthology “Blue Mirror,” which marks the alpha of the group’s additional division of videos, reflects their advance while additionally confined admirers the aforementioned appearance that garnered PMJ their success.
“Blue Mirror,” the group’s twenty-first album, tackles accoutrement some of the pop music industry’s better hits including a ‘50s appearance awning of “Africa” by Toto and applesauce covers of songs alignment from ABBA’s “Dancing Queen” to Christina Aguilera’s “Genie in a Bottle.”
The nine songs from PMJ’s “Blue Mirror” can be disconnected for the best allotment into two categories: covers that complete aloof like hardly active up versions of the originals and covers that accept absolutely reworked the aboriginal song. For example, while the chart abaft the
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