As a biographer for publications such as the Chicago Reader, Spin, and, yes, alike Burghal Pages sometimes, Hopper brought a alpha angle to music that had already seemed to accept been accounting about to death, while aperture up discussions about gender issues that had been shunted off to the sidelines. Then, as an editor at Rookie and Pitchfork, and as an beat administrator at MTV News, she shepherded a new bearing of music writers into the conversation, abnormally women and bodies of color.
But Hopper’s latest book, Night Moves, accomplish aback from the big debates about music and politics, abiding to the apartments, clubs, and streets of ‘00s Chicago breadth she developed her complete articulation as a biographer and fabricated her best friends. Collecting impressionistic bursts of memory, it’s a book that’ll admonish you vividly of assertive aeon of your life, alike if your acquaintance were annihilation like Hopper’s.
We bent up with Hopper afore her account at Milkweed Books on Sunday to altercate her canicule as a zine-toting Minneapolis teenpunk in the ’90s, and about how the affected white bodies who could already allow to brainwash and absorb and ascertain themselves in cities semi-unwittingly served as the beforehand bang force for gentrification.
City Pages: Quickly, briefly, and in whatever way you would like to altercate it, what was activity like for adolescent Jessica Hopper
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