Eddie Roberts has had a absolutely active 2018. As the fan-favorite guitarist for the globally acclaimed alarm project, The New Mastersounds, Roberts has toured the United States and Europe, with the English bandage abiding to comedy the iconic Red Rocks Amphitheatre this summer for the aboriginal time in over a decade. Furthermore, Roberts’ new project, Matador! Body Sounds—a arresting funk-soul-jazz-fusion act led by Roberts and Soulive drummer Alan Evans and featuring keyboardist Chris Spies, bassist Kevin Scott, and vocalists Kimberly Dawson (Pimps of Joytime), and Adryon de León (Orgone)—has enjoyed a brief acceleration to acclaim since debuting at Brooklyn Comes Alive in 2017, with the bandage debuting above Europe and dozens of new markets in the United States and releasing their first-ever flat album, Get Ready, in March.
While these bands abide to allure admirers and acquire analytical acclaim about the world, Eddie Roberts has backward hungry. As apparent by his assignment with The New Mastersounds and Matador! (as able-bodied as his all-star accolade to Blue Note guitarist Grant Green), Roberts has accepted himself as a force aural the soul, funk, and applesauce worlds. Now, Roberts is putting this all-embracing passion, talent, and ability to work, dispatch into the role of ambassador and controlling for a new almanac characterization and multi-media belvedere he’s ablution in Denver dubbed Color Red.
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