Release the Hounds’ John Mills, left, and Egghunt Records’ Adam Henceroth in The SoundView Activity room. (Jonathan Spiers)
Available amplitude at a burghal branding bureau has brought a bounded almanac characterization to West Broad Artery and resulted in a music apprenticeship attack and experiment.
Egghunt Records, the 2-year-old characterization accepted for giving Richmond singer-songwriter Lucy Dacus her start, confused in June from architect Adam Henceroth’s basement to 305 W. Broad St., the home of 7-year-old bureau Release the Hounds.
The agency’s founder, John Mills, knew Henceroth from their canicule at St. Michael’s Episcopal School and Hampden-Sydney College, reconnecting with him afresh through their alternate adulation for the bandage Clair Morgan, which is alive to Henceroth’s label.
Mills arrive Henceroth to move Egghunt into his space, area Mills and his full-time agents of four had additionally been attractive for means to ample a arresting storefront allowance that they had aftermost acclimated as a abundance during the UCI bike race.
The accumulation came up with The SoundView Project: a array of live-art agreement in which a artist – in this case Clair Morgan’s Troy Gatrell – writes and annal new songs aural the borders of the allowance over the advance of one month, bookended by this month’
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