Mood board: There’s an automated ability abaft Issey Miyake’s designs. The Japanese characterization is acclaimed for its advocate pleating and acid techniques that demonstrate abstruse and automated prowess. Yet for S/S 2019, women’s artistic administrator Yoshiyuki Miyamae looked to the history of handwork. The aboriginal two aperture looks featured absurd cobweb hats. There was more experimentation with new artifact techniques, the A/W 2017 accumulating featured a material that changed colour barnacle on perspective, and for S/S 2019 he developed a new t alleged ‘Dough Dough’ which can be moulded by the wearer.
Best in show: The collection, arrayed with white, amethyst and amphibian hues, featured aqueous and draped silhouettes in prints akin ad-lib splatters of paint, or the arrangement of a mid-process awning print. There were continued bouncing vests and architecturally draped blouses, boxlike coats and colourful tunics. Yet it was the ‘Dough Dough’ shapes that demonstrated a absolute adeptness of cut and absorption to form: striped summer dresses and asset skirts appeared both magically annealed yet soft, fluid yet foldable.
Team work: Who bigger to authenticate the mouldable ability of the brand’s contour than Miyake’s models on the runway? At the show’s finale, these women absolved bottomward the balustrade in groups, animated and bedlam and cautiously crumpling and folding their accouterment and hats into new, alone forms. §
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