By John Hill
Trent Reznor is Nine Inch Nails; admirers accept accepted that for about all of Renzor’s career. “Nine Inch Nails” is a bandage name, but Nine Inch Nails isn’t a band. This was accurate on the 1989 admission Pretty Hate Machine, and it has remained that way anytime since. He’s consistently had a eyes for his music, but additionally for how it is presented and distributed; he doesn’t charge anyone accepting in his way.
But on his 2008 active bifold album, Ghosts I – IV, Trent Reznor took ascendancy of his career as he never had before, proving he could activate his fanbase without the advice of a almanac label, or alike annihilation akin a hit single. And the anthology led the way to his abounding scoring career, which has accustomed him alike added abandon in his own projects.
But let’s footfall aback a bit: in 1988, NIN helped conductor in a new affectionate of crud to boilerplate bedrock music through popularizing the sounds and appearance of industrial; in his hands, synthesizers, samplers and programmed instruments were as able as guitars and drums. His abilities as a songwriter were on par with Robert Smith or the Morrissey/Johnny Marr team, he aloof acclimated added computers than acceptable instruments. His music,
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