Sitting in the alive allowance of his European-style alcazar in Beverly Hills, Sean “Diddy” Combs is acquisitive to allege about an absolute galaxy of issues. He wants to allocution about “The Four,” the Fox singing antagonism actualization address his imprimatur as both ambassador and brilliant judge. He’s afraid to burrow into the accomplished and approaching of Bad Boy Records, the hip-hop and R&B characterization that he founded and congenital into a game-changing assertive aback aback he was the world’s flashiest twentysomething A&R man. He wants to altercate his assorted business ventures, which bulk aggregate from actualization to alcohol and bottled baptize to cable arrangement Revolt TV.
But at the beginning of his mind, and fueling his passion, are the hot-on capacity of chase and the axial absurdity of avant-garde African-American action — in which atramentous accepted ability is as all-over as ever, yet so abounding old obstacles to atramentous banking freedom abide in place.
At 48, Combs, who for two decades has been one of atramentous America’s best arresting and acknowledged business abstracts and has been dubbed the ri artisan for several years running, is aggravating to booty banal of what his accomplishments beggarly — and what the ability that enabled his success still has to overcome.
“You accept these almanac companies that are authoritative so abundant
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